From Capture to Print

March 23, 2011

The seminar provides a critical overview of contemporary best practice workflows, from the initial image capture to proofing for pre-press and publications, and the highest quality exhibition printing. It is presented over three separate sessions/nights at Blue Tree Studios, where real- world imaging solutions address the issues most commonly encountered in real life. The seminar […]

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Digital Light Symposium: Melbourne

February 27, 2011

Digital Light: Technique, Technology, Creation Venue: Elizabeth Murdoch Theatre, The University of Melbourne, Parkville, Australia Dates: Friday 18 March (2–7pm) & Saturday 19 March (10am–7pm) See website for program details: www.digital-light.net.au No bookings necessary This interdisciplinary symposium invites leading international and Australian figures working with digital light-based technologies to consider the capacities and limitations of contemporary […]

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The Green Flash

February 15, 2011

Les Walkling, Pyro Soda 1998, Pigment Print, 520 x 408mm A friend recently reminded me of the ‘green flash’ which I hadn’t seen for quite some time. My reply included the following: “How wonderful that you remember the ‘green flash’. It was produced when a Pyro developed film emulsion transferred to an acetic acid stop […]

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The Pilbara Project 2010

January 28, 2011

Les Walkling, The Pilbara Project 2010, Pigment print, 977mm x 1118mm The image was taken on my Hasselblad H4D during our third trip to the Pilbara in September 2010 from the front seat of a Cessna 172 out of Karratha airport. While our accompanying curators, William Fox (Nervada Museum of Art) and Mollie Hewitt (FORM) […]

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A New Year, A New Website

January 16, 2011
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